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Sara Castaneda's avatar

I do agree. Now as a writer and previously as an actor. I remember back then in the 90s, as an actor, you had to get headshots done by a professional photographer. That was $500. Then you had to get them touched up. That was about $250. Then you had to get them printed in card form as thank you notes for auditions and as headshots for agents and managers. That was $300. If you finally got into the Screen Actors Guild, you had to pay $1500 to get in. Where were you supposed to get all of this to set up to get out there to become an actor when all the money you made at the restaurant or wherever you worked went to food and rent? I ended up pawning a ring my grandmother had left me to pay for all of those things. I figured she would have wanted me to to follow my dream but it broke my heart.

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Michael T. Young's avatar

I’m all for entitlements for artists and a more active support of artists in our society generally. Nordic countries are much more intent on this than we are. They incorporate support for art and artists into many aspects of their budgetary planning from healthcare, unemployment services, and educational support, even to having a principle in which all public construction budgets have a portion allocated to incorporate art into public areas. They see art as a public good, not merely as the byproduct of the tortured, isolated genius. I can say, however, for myself, that I’ve been fortunate as a poet in that I’ve been able to work successfully in the corporate world as an administrative assistant my whole life. That’s provided a steady income and healthcare. Of course, not everyone can do that, as you point out.

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