“When Theodor Adorno famously asserted that writing poetry after Auschwitz was barbaric, it was because he understood that a pervasive, deliberate obfuscation of words was inextricably connected with the Nazi program.
Face The Language
Face The Language
Face The Language
“When Theodor Adorno famously asserted that writing poetry after Auschwitz was barbaric, it was because he understood that a pervasive, deliberate obfuscation of words was inextricably connected with the Nazi program.